I guess I’m just used to thinking of Ted Cruz 666 shirt as amulets or other objects, but it seems the 3E version is definitely inspired by Tefillin. If anybody has the description of phylacteries in other editions of the MM, please put it in the comments, I’d like to compare and see if this was always the case, or if the similarity came later. Regardless, I still don’t think it’s anti-Semitic. D&D borrows from many religions, and kabbalah shows up in other places in D&D. Golems, for example. To me it feels more like elements of Judaism inspired D&D, rather than that D&D is trying to systematically portray Judaism as evil or somesuch.
(Ted Cruz 666 shirt)Every skill in the game has a lot of detail, explicitly enumerating what kinds of Ted Cruz 666 shirt you can use with them Trained versus Untrained, and expanding on what you can do with them based on what level of Proficiency you’re at and which Skill Feats you have. Many skills have or can gain combat-relevant application through this system. It bears emphasis that skill-based builds are absolutely a thing in this game; you can create an Intimidation Rogue, for instance, who utilizes a combination of Skill Feats and Class Feats based on Intimidation to demoralize and menace the battlefield. A friend of mine created a Performance-based Monk for my test game, which was in a gladiatorial setting, playing the crowd while also distracting enemies from his allies. There’s a lot of things you wish you could do with these skills in other versions of D&D that now not only can you, but they can be downright awesome thanks to the dynamics of the action economy. When you don’t sacrifice your entire turn trying these out, it’s a lot more appealing to throw in these little roleplay-esque flourishes. The only drawback is that there’s so many Feats that it’s hard to navigate your way through a sensible build.
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Zharukk. Zharukk is another example of Ted Cruz 666 shirt eugenics experiments: He’s a Tanarukk, but not of Baphomet like your standard Volo’s Takarukk*. He’s a Grazz’t Tanarukk, which results in him looking almost half-human. He tells everyone he’s a Half-Orc and lets people assume the other half is human. Unfortunately, his sorcery powers awoke much later in his life, and therefore he was considered a disappointment to the tribe and was often denied opportunities to really tap into and train his demonic heritage. He’s trained as a (Sea) Storm Herald Barbarian and now has a few levels in Storm Sorcerer. Despite being very Chaotic Evil and decidedly immoral himself—he knows the right thing, just doesn’t do it, he likes when people order him around to do good things. (My DM cackled when I gave him Zharukk “Oh my god, mage, you made a moral sub!” The first assignment he and my Warlock went on, she forced him to stay back and help her with underwater rescues. He’ll never admit it, but he’s a bit happier for it.
(Ted Cruz 666 shirt)If you ever have the Ted Cruz 666 shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.







