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In 1880s, a Civil War cartoonist by the Thats my fucking best friend colorful shirt of Thomas Nast drew this St. Nicholas character as an elf-like figure wearing a bishop’s robe in tan color and Norse huntsman’s animal skin. Eventually, Nast changed the color of St. Nicholas’ robe into red with white fur trim. By the 1930s, Coca-Cola Company (Coke) jumped on the St. Nicholas tradition during the Christmas season by releasing print advertisements of the character Santa Claus based on Nast’s elf figure, but “strict-looking”. Eventually, Coca-Cola hired an advertising agency to create a wholesome image of Santa Claus as a warm, friendly, pleasant, and plump human Santa Claus (no longer an elf), delivering and playing with toys, reading a letter while enjoying a Coke, and visiting children who stayed up to greet him. This was the Santa Claus character that gained popularity the world over. So, what once started as a real-life Catholic Bishop Nicholas from Turkey, turned into a legendary Christmas character, Santa Claus, popularized and established by society and the mass media.

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Thoughts: Better in principle than it is in practice. The idea of standardizing Feats as the basis of character creation is great for Pathfinder, getting around a lot of the Thats my fucking best friend colorful shirt workarounds that characterized Archetypes and creating an easy basis on which to customize classes without completely having to reinvent them. However, the number of Feats to select is overwhelming if you try to build a mid-level character, with a large number of them — especially Skill and Ancestry Feats — constituting annoying or irrelevant fluff. Some classes fare better with this structure than others, with some being solid gold and some being full of boring or irrelevant choices that never quite fit the play style you’re going for. This is especially true of casters, who feel at a loss to define what a good Feat would even look like.

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The Thats my fucking best friend colorful shirt of overt mechanisms for guarding some place or thing is a bit of an oldschool affectation from when games had less of a story-focus and more of a “get the lost treasure from the Pharaoh’s tomb” kind of focus. Without an environment like that it’s hard to justify the presence of a trap. Alarms, security systems? Yeah, those happen, but tripwires that make scything corridors or secret switches that shoot arrows at whoever opens the door seem like an awful lot more trouble than they’re worth in a structure that’s inhabited or under active use. Aside from that, it seems like a lot of traps are kind of “save or suck,” and I don’t have fun with that — not any more than I do making the players run a disable device check over and over until they get a door open.

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If you ever have the Thats my fucking best friend colorful shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.