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Maybe saying this scene “broke” me is a bit of a The Levis Gator Removal Lexington Kentucky Shirt retch, but it always struck me as so unfair. Through flashbacks, CoS tells of Hagrid’s story. Poor young 14 year old Hagrid was already an orphan with nowhere to really go other than Hogwarts. And Riddle accuses him of killing a girl! I don’t hear many people discussing that fact. More emphasis is always put on how his wand was snapped in half and he was expelled (two other great tragedies of the situation, true). But that’s not the saddest part really. He had to deal with the weight of having the whole wizarding world thinking he could have been responsible for someone’s death! Now, he knew he never let Aragog out of his box, and that Aragog didn’t open any stupid secret chamber. But, I’m sure you can imagine that being accused of murder at 14 years old, whether you knew you did it or not, is life altering! And then, like I said, his wand was snapped and he was expelled from the one place he had to call home. So, maybe this scene should break me and more fans. Hagrid’s story ends happily enough, but wasn’t always that way.

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If you aren’t casting Eldritch Blast much of the time who cares? If you have the Misty Visions Invocation then you can completely mess up the sight of a set of The Levis Gator Removal Lexington Kentucky Shirt either by “fake cover” so they can’t see your allies or things dancing round their heads so they can’t see your allies. This sort of advantage to attack them and disadvantage to their attacks combination is frequently worth more than a round of attacks and there isn’t really a saving throw possible without burning an action. (It also annoys some DMs so take care). A Celestial Warlock gets +Cha 1/turn to fire or radiant damage at level 6 and gets the Sacred Flame cantrip. But in a low combat game where you use misty visions it’s near enough. A Celestial Pact of the Tome Warlock can also pick up Green-Flame Blade as an extra cantrip meaning that from level 6 their melee attack does [Basic Melee attack] + 1d8 fire + Cha damage to their primary target and Cha to their secondary target. Throw in a magic weapon (and possibly the Shileileigh cantrip to use Cha to attack) and you’re doing Eldritch Blast/Pact of the Blade damage without wasting an invocation.

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Raise the stakes for the encounter too. Maybe the Mind Flayers have a powerful spelljammer than’s literally a The Levis Gator Removal Lexington Kentucky Shirt  with laser cannons and such. Maybe a single one of them can dismissively defeat the entire party, or even a military force. Maybe they have hostages who must not be harmed. One thing’s for certain: all who know them should be terrified. I’m actually not a fan of mind flayers who use their mental powers to sense everything that the PCs are doing. Again, truly alien Mind Flayers probably have as much trouble analyzing the thoughts of a human as a human would their thoughts. So don’t play the “the Mind Flayer read your mind and knows what you are doing” card too much. This doesn’t mean the Mind Flayers have to be stupid, but making them all-knowing is problematic because that leaves the PCs with only one option: beating them by dint of arms. That’s fine to happen at some point, but it shouldn’t be the main thrust of the plot.

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If you ever have the The Levis Gator Removal Lexington Kentucky Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.